Printmaking course with André Michalek at this year’s Summerakademie.
Starting point is a picture taken by my son or by me (Who was it? I can’t remember as we shared the same camera) at the Völklinger Hütte.
Fooling around:
How does it look like if it would be a coffee toned cyanotype?
And if it would be a polymer plate printed in relief?
And now the very first prints of 2 weeks:
The dry point on perspex version, trying to point to the regular structure of working environment:
and the etching with aquatinta version, adding blacks and grays:
Carlo Krier 